Tokyo Pop, Hiratsuka Museum of Art, Kanagawa, April 27–May 26, 1996. Sanders, Mark and Fumiya Sawa. (Catalogue). 8th edition. (Catalogue), The Japanese Experience: Inevitable, Ursula Blickle Stiftung, Kraichtal, Germany, June 9–July 14, 2002. Yokohama: Yokohama Museum of Art, 2004. Cotter, Holland. He also introduced free admission to the gallery, except to major exhibitions. (Catalogue), One Heart, One World: International Exhibition of the Heart, United Nations Public Lobby, New York, April 5–25, 2000. Towada, Japan: Towada Art Center, 2008. “Culture Going, Going, Gone!” Los Angeles, November 1998: 50–53. Kawohl, Anja. Red Hot: Asian Art Today from the Chaney Family Collection, The Museum of Fine Arts, Houston, July 22–October 21, 2007. (Brochure). He campaigned for the construction of a new front entrance to the Gallery, facing King Edward Terrace, but this did not come to pass during his tenure. (Catalogue). Yablonsky, Linda. Text by Chieko Kitade. Tokyo: Foil, 2005. “Artists’ Afgan Odyssey Never Leaves Comfort Zone.” Asahi Shimbun, 21 February 2003: 28. In the Deepest Puddle / Nothing Gets Me Down (exhibition catalogue). “The Kids Are all Right.” Cleveland Free Times, 17 September 2003. Yoshitomo Nara: From the Depth of My Drawer (exhibition catalogue). Selections from the Hara Museum’s Permanent Collection Shinagawa, Hara Museum of Contemporary Art, Tokyo, July 28–October 28, 2007. How to Enjoy the Modern Art, Together with Dick Bruna (exhibition catalogue). Superflat. Tokyo: Magazine House, 1999. Hoptman, Laura J. Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, June 13–July 31, 2015. [S.l. Yoshitomo Nara: An Exhibition of Sculpture in Two Parts (Part II), Blum & Poe Gallery, Santa Monica, March 16–April 3, 1999. Kyoto: Tankosha; Mori Art Museum, 2003. New York: Barbara Gladstone Gallery, 2000: 64, illustrated. Text by Shigemi Takahashi. [17][18][19] In 1975, Arthur Boyd presented several thousand of his works to the Gallery. Nagoya: Hakutosha, 1994. Sweeney had recommended that sources of natural light should not detract from the collections, and so light sources are intended to be indirect. Art Observed, 27 June 2013. http://artobserved.com/2013/06/new-york-yoshitomo-nara-at-pace-gallery-through-june-29th-2013/. “Killer Cute.” San Francisco Bay Guardian (15–21 September 2004). Slash with a Knife: Yoshitomo Nara. Vine, Richard. Yoshitomo Nara (exhibition catalogue). Chewing Gum II, Pace Gallery, 15C Entertainment Building, 30 Queen's Road Central, Hong Kong, February 10–March 11, 2017. Influenced by popular music, memories of childhood, and current events, he filters these references through an exploratory realm of feelings, loneliness and rebelliousness especially, which span autobiographical as well as broader cultural sensibilities. Pop! Inoue, Takao. Cultured Magazine (March 2017). Text by Dave Hickey. The design of the building was complicated by the difficulty in finalising its location, which was affected by the layout of the Parliamentary Triangle. “Palabras Deside el Arte.” Arte y Parte (Madrid) 71 (October 2007): cover, 12–13. Ohnuma, Keiko. Nürnberg: Kunsthalle Nürnberg, 2000. San Francisco: San Francisco Museum of Modern Art, 2000. (Catalogue). “Elemente für Harmolosen Eindruck.” Neue Rheinische Zeitung, 26 January 1991. Yoshitomo Nara: Done; did, Parco Gallery, Nagoya, December 3–30, 1999. Artlyst, 10 October 2014. http://www.artlyst.com/articles/yoshitomo-nara-commercial-allure-presenting-the-right-touch-of-unease, Nara, Yoshitomo. Jahrhunderts: Malerei, Skulptur, Fotografie, Galerie der Stadt Aschaffenburg, Germany, April 9–June 12, 2000. Otaru, Japan: Otaru City Museum of Art, 2002. Bordeaux: CAPC-Musée d’art contemporain, 2000. [8] The construction of the building commenced in 1973, with the unveiling of a plaque by Prime Minister Gough Whitlam. Yoshitomo Nara: Drawings 1988–2018, Last 30 Years (exhibition brochure). On the principal floor, the galleries are large, and are used to display the Indigenous Australian and International (meaning European and American) collections. D’Arcy, David. Schieder, Chelse. "Pace Gallery is Now in East Hampton" (Pace gallery exhibition review). The title references the 50th anniversary of the 1967 referendum, that recognised Aboriginal and Torres Strait Islander people as Australians for the first time. “Art Review: Before Their Art Was Famous.” Los Angeles Times, 4 April 2001: F1 & F8. “Painting of Nara's signature 'angry girl' fetches HK$196 million at auction.” China Daily, 7 October 2019. http://www.chinadaily.com.cn/a/201910/07/WS5d9af8c3a310cf3e3556ef44.html, Jiang, Yiwei. ‘50s–‘00s Pos Art Show (exhibition catalogue). Estiler, Keith. Walking Alone, The Ginza Art Space, Tokyo, 1999. Cooper, Jacqueline. “In Conversation with Japanese Artist Yoshitomo Nara” (Chateau La Coste exhibition review). Cogitationes Cordium (exhibition catalogue). This exhibition was created by the Young British Artists of the Saatchi Gallery. Shiko Munakata, Tohru Narita, Yoshitomo Nara: The Icons of the Time, Oita Art Museum, 2008. “Best New Museums.” GQ, March 2007: 178. Darling, Michael. (Catalogue), The Crated Rooms in Iceland: Yoshitomo Nara + YNG, The Reykjavik Art Museum, September 17, 2009–January 3, 2010. 4th Nagoya Contemporary Art Fair, Electricity Museum Nagoya, Aichi, 1991. Blue is Hot and Red is Cold, Kunsthalle Düsseldorf, Germany, October 12–November 11, 2019. Hong Kong Economic Times, 16 March 2015: C11, illustrated. Art News, 14 April 2017. http://www.artnews.com/2017/04/14/i-was-really-unthinking-before-yoshitomo-nara-on-his-recent-work-and-his-show-at-pace-gallery-in-new-york/. Best Collection, Takamatsu City Museum of Art, Kagawa, 2003. "Yoshitomo Nara: Piercing Eyes and Mysterious Girls." S.M.L., graf media gm, Osaka, December 20, 2003–February 1, 2004. “San José Museum of Art.” Contemporary Magazine 68 (August 2005): 64–65. “Young, but Not Innocent.” Mercury News, 1 August 2004. Despite his denials that there was any problem with the air-conditioning, claims that the issue had been 'swept under the carpet' persisted. Saito, Naoko. “Yayoi’s Art Pardise.” Ryuhkoh-Tsuhshin, April/May 1999. A Magical Life, Tokyo Wonder Site Shibuya, September 9–October 10, 2006. Middelheim, Belgium: Middelheim Open-Air Sculpture Museum, 2006. Yokohama: Organizing Committee for the Yokohama Triennale, 2005. Steenhuis, Paul. “Yoshitomo Nara at Blum & Poe.” Artpress (May 1999): 67–68. Art Review 66, no. Ebony, David. [38], Know My Name is "an initiative of the National Gallery of Australia to celebrate the significant contributions of Australian women artists". (Catalogue). Leap, 29 April 2015. http://leapleapleap.com/2015/04/%E5%A5%88%E8%89%AF%E7%BE%8E%E6%99%BA%EF%BC%9A%E5%80%92%E7%9D%80%E5%BE%80%E5%89%8D%E8%B5%B0%E7%9A%84%E4%BA%BA/?lang=zh-hans. The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, February 25–June 13, 2010. The exhibition afterwards toured the country, shown at Cairns Regional Gallery, the Anne & Gordon Samstag Museum of Art in Adelaide and the Western Plains Cultural Centre in Dubbo, NSW. Tokyo: Rockin’ On, 2000. Traveled to: Aomori Museum of Art, October 6, 2012–January 14, 2013; Contemporary Art Museum, Kumamoto, January 26–April 14, 2013. Nara, Yoshitomo. Dorazio, Jennifer. Art & Object, 16 July 2020. https://www.artandobject.com/news/3-must-see-gallery-pop-ups-hamptons, Leung, Gabrielle. Joynes, Les. “Japanese Art Duo at Pinakothek.” Munich Weekly News, November 2004. 31 (Fall 2013): 92–99, illustrated. “15 Minutes with Yoshitomo Nara.” Interview with Tali Jaffe. “A to Z.” Artforum, December 2006: 327–328. From Home to the Museum: Tanaka Tsuneko Collection (exhibition catalogue). Let’s Go to The Museum! “Yoshitomo Nara Work Sells for $25 M. in Hong Kong, Blasting Through Artist Record.” ARTnews, 7 October 2019. https://www.artnews.com/art-news/market/yoshitomo-nara-auction-record-13340/, Starr, Nina. A Perspective on Contemporary Art 6: Emotional Drawing (exhibition catalogue). There have also been proposals, during the tenure of Director Brian Kennedy, for the construction of a new "front" entrance, facing King Edward Terrace. “Yoshitomo Nara Invites Fans to Armory Open Studio.” WNYC Culture, 24 August 2010. Freiburg: Modo, 2000. New York: Phaidon Press, 2002. Yoshimoto Nara and Hiroshi Sugito, Gallery Hakutosha, Nagoya, Japan, 1999. “Prescription Art.” Vogue (Japan), October 2006: 252. Rev. Even though it was now unlikely that the lakeside Parliament House would proceed, a raised National Place (to hide parking stations) surrounded by national institutions and government offices was still planned. (Catalogue), Moving energies #2: Aspekte der Sammlung Olbricht, Museum Folkwang Essen, October 17, 2003–January 11, 2004. Yoshitomo Nara: From the Depth of My Drawer, Hara Museum of Contemporary Art, Tokyo, August 11–October 10, 2004. The air-conditioning was finally renovated in 2003. Summer Exhibition, Galerie d’Eendt, Amsterdam, July 15–August 31, 1996. Faenza, Italy: Light Gallery, 2001. Text by Mika Kuraya. Spellbound, Karyn Lovegrove Gallery, Los Angeles, November 19–December 18, 1999. Travels to: Los Angeles County Museum of Art, September 8–December 8, 2019. Vassiliou, Amani. “People.” Rockin On Japan, August 1999. “Token Japanese Guy or American Consumerism at Work.” Visual Art (September 2003): 21. Taipei: Metaphysical Art Gallery, 2007. Knight, Christopher. My Room is Your Room, 7th Nagoya Contemporary Art Fair, Nagoya City Gallery, Nagoya, Aichi, 1994. “Yoshitomo Nara Exhibit Surveys His Unique Brand of Kute Kulture In New York (Pace Gallery exhibition review). Furlan, Julia. This period of time was a pivotal influence on Nara, during which he began synthesizing Japanese and Western popular culture, as seen in Nachtwandern (1994), and when he arrived at his mature style, as seen in Pony Tail (1995) and Haze Days (1998). Januszczak, Waldemar. Brian Kennedy was appointed director in 1997. Order. Interview of Edouard Carmignac by Fabrice Bousteau. “The Artist as Collector.” Sotheby’s, 19 June 2013. http://www.sothebys.com/en/news-video/blogs/all-blogs/sothebys-at-auction/2013/06/artists-who-collect-damien-hirst-george-condo.html. Daiwa Collection first Session, Okinawa Prefectural Museum and Art Museum, Naha, September 11, 2010–January 23, 2011. Partners, Galerie d’Eendt, Amsterdam, March 14–April 18, 1992. Towada Art Center, Aomori, July 19–August 21, 2008. Pappas, Jen. (Catalogue). Yoshitomo Nara (exhibition catalogue). Tokyo Opera City Art Gallery, May 26–July 11, 2004. However, this period included two World Wars and a Depression and governments always considered they had more pressing priorities, including building the initial infrastructure of Canberra and Old Parliament House in the 1920s and the rapid expansion of Canberra and the building of government offices, Lake Burley Griffin and the National Library of Australia in the 1950s and early 1960s. (Catalogue), Ceramic Works, Tomio Koyama Gallery, Tokyo, May 15–June 19, 2010. Text and illustrations by Yoshitomo Nara. The Art of Cooking, Royal/T, Los Angeles, April 27–August 1, 2012. Hypebeast, 14 July 2020. https://hypebeast.com/2020/7/yoshitomo-nara-after-all-im-cosmic-dust-pace-gallery-east-hampton-exhibition-info, Garcia, Gretty. It was under her directorship that the name of the Gallery was changed from the Australian National Gallery to its current title. My Reality: Contemporary Art and the Culture of Japanese Animation (exhibition catalogue). Yoshitomo Nara: Drawing File. Dog Days of Summer, California Museum of Photography, University of California, Riverside, June 1–September 30, 2004. “H Queen’s: Huanghou Da Dao Zou Yi Zao, Yi Shu Ru Chao Yong” (Pace Gallery exhibition review). Tokyo: Kadokawa Shoten, 1999. Interview with Valencia Tong. Yoshitomo Nara, Stephen Friedman Gallery, London, May 26–June 24, 2000. Yoshitomo, Banana. Allsop, Laura. The Artling, 4 April 2018. https://theartling.com/en/artzine/2018/04/04/yoshitomo-nara-ceramic-works-and/. Text by Arne Glimcher. Café in Mito 2011: Relationships in Color, Contemporary Art Gallery, Art Tower Mito, Ibaraki, July 30–October 16, 2011. Tokushima: The Tokushima Modern Art Museum, 2000.
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